One of the hidden truths about working in the film and television industry is that you really have to love being in the film and television industry. Sixteen-hour days, a fickle job market and lack of recognition by the outside world are some of the biggest drawbacks of being able to say you worked on a hit show or movie (or straight-to-video movie). It was no different for John Hampian ’05 (CTVA), who worked his way from an unpaid assistant on Entertainment Tonight to the Production Coordinator for one of the most revered shows ever — Mad Men.
The San Luis Obispo native came south to California State University, Northridge with a dream — get into “the industry” by any means necessary. But the main question was which school? It was important to study somewhere that could provide him the best education and opportunity to start out. In a sea of universities that could fit that mold, he found CSUN — which is now on the list of The Hollywood Reporter’s top-25 film schools in the nation. When asked about why he became a Matador, he immediately knew the answer.
“The attitude,” Hampian quickly said. “Film schools can breed snobbery and entitlement, both of which do not exist at CSUN. The teachers and students presented themselves to me as hard working individuals, so when it came time to select a school, CSUN was at the top of my list.” Hard work never fazed him, something his professors quickly noticed.
“John is one of those rare students that embodied both academic and creative excellence,” said CTVA professor Thelma Vickory, who taught Hampian’s television-centered courses. “When I think of John and the handful of his fellow classmates I always smile because they were just so darn creative and funny. They pushed the envelope creatively while they were students. John and his classmates actually helped me lobby to change the curriculum in the TV option to better fit the skills and knowledge they needed to work after graduation.”
It was that uncanny instinct that would be helpful for Hampian as he worked his way up the Hollywood ladder. He began as a production assistant on Entertainment Tonight, but quickly landed at Paramount before finding himself at the business end of layoffs. After being laid off, he found it hard getting work, or even an interview. Then, to his surprise, an old friend from the past led him to his future.
“Out of the blue, a good friend I went to CSUN with got in touch with me,” Hampain remembered. “She was working at Fremantle Media and arranged a meet and greet between the head of HR at Fremantle and I. The idea was this person could help me navigate through this tough time and potentially point me in the right direction.
I arrive in the HR person’s office, sit down, and wait introduce myself, as she is in the midst of an animated phone call and combing through the massive amount of files on her desk. This goes on for what feels like an eternity. When she finally hangs up, the first words out of her mouth are, ‘I’m sorry honey, did you need start paperwork?’ I didn’t hesitate for a minute; I just said ‘Yes!’ To this day, I still don’t know why she thought someone had hired me at the company.”
Slight subterfuge aside, Hampian found himself working for the company — for no one in particular! He busied himself every day until a company executive, who would eventually make him her assistant, found him out. With enough story to fill a screenplay, Hampain found his way out to an actual film set when another former Matador found him a production assistant position (“A real job!” he said) on an independent film shooting in his hometown of San Luis Obispo.
This time, he found his path. Being a production assistant was bringing him the excitement of being on set and, more importantly, constant work. Alas, as his career began taking off, Hollywood came to a screeching halt during the Writer’s Guild strike of 2007. Again, Hampian found himself on the outs, but he would eventually land on the Michael Mann film Public Enemies. It was after that production left for Chicago that he found a job posting on his union’s job board for an APOC (assistant production coordinator).
“It was February and the thought of a 7-month job was something to drool over. I sent my resume in right away. Soon there after, I received a phone call from the POC who set up an interview. At that point, I found out it was for Mad Men. I couldn’t believe it!
“A few days later, I went in for the interview. I was concerned that my lack of TV experience would be a major issue. I had only been told horror stories of how hard TV production was compared to film. The interview itself went quite well; however at one point, I nearly passed out. I don’t think anyone noticed because by Monday of the next week, I was working at Mad Men!” All the hard work had paid off. He had begun work during the second season in 2008, and worked on it until it wrapped last year. As he describes it, working on the set of one of the most prized dramas in television history was as amazing as it sounds.
“From day one, I knew I was home,” he recalled. “Mad Men was the most organized, well thought out, welcoming and professional productions I have ever been a part of. Well before we won the Emmys for season one, there was this feeling in the air that we were doing something extraordinary. It was like our special secret. When we started winning, we were all so very excited for each other, and from that a strong family environment was created. I made some of my best friends on that show and truly looked up to the leadership. We were always firing on all cylinders.”
The heat from those cylinders reached all the way to Northridge. As someone who really believes in the CSUN mission, Hampian decided to give back to the department he helped shape.
“While working on Mad Men, John never forgot CSUN CTVA TV students and provided opportunities for TV students to intern,” Thackery said. “I was proud of the way he handled students applying for this prestigious internship by telling them frankly what they had to do and be to be a contender for this position.”
John Hampian knew what he had to do to prepare Matadors to make that leap into the world of film and television production. He’s suffered the highs and lows and understands what it takes. He’s been working on more films since Mad Men wrapped last year, and even proposed to his longtime girlfriend Kate and rescued a dog. Knowing how much the work takes out of him and his peers, he knew it would be the only time to do so before jumping back into the fray, a career built on the backbone of his time at CSUN. It’s something he readily acknowledges.
“At CSUN I was taught that those in my class made up my professional network, and without them, I had no connections,” he said. “It was with their help that I was able to get my start, and when you combine that with the hard working CSUN mentality, you can have a career in this crazy business.”